The Low Cut, Thump, and Tone controls all affect the signal before it’s affected by the saturation algorithm, allowing you to tweak which frequencies get distorted.
Additionally, the aptly named Punish button adds an extra 20dB of gain if you happen to max out the drive control and really want to push the distortion. While there is also an Output control, turning on the Auto Output switch will decrease the output level as you increase the drive – making it easy to add distortion without any extra gain. The Drive control will increase the amount of gain and distortion of your signal, ranging from subtle to over-the-top. These choices include an Ampex 350 tape drive preamp, a Chandler/EMI TG channel strip, a Neve 1057 input channel, and a Culture Vulture distortion device (with either the triode or pentode tube setting). This resulted in five unique saturation algorithms, which are represented on the decapitator by the ‘Style’ buttons (labeled A, E, N, T, P). The folks at SoundToys chose five pieces of classic analog recording gear, and modeled how they reacted as they were pushed to the point of saturation and then well beyond their normal limits. SoundToys aims to bring a little bit of analog gear saturation to the digital realm with Decapitator ($179.99 Native). However, when you overdrive analog gear, the result can be very different – tube saturation, pleasing even-order harmonics, warmth and character.
Once you reach the upper limit of your digital gear, there’s no going any further. Working with audio ‘in the box’ provides little room for pushing past the boundaries of your device.
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